Play (2015)
by James Ijames
Directed by Lyndsay Allyn Cox
Gloucester Stage Company
Gloucester, MA
September 10-26, 2026
With Dom Carter (Spencer); Kalala Kiwanuka-Woernle (Esther); Lorraine Victoria Kanyike (Petrushka); Dereks Thomas (Astronaut)

Lorraine Victoria Kanyike as Petrushka
in “Moon Man Walk”
Photo: Benjamin Rose Photography
Courtesy of Gloucester Stage Company
Spencer (Dom Carter), whose beloved mother Esther (Kalala Kiwanuka-Woernle) has died, returns to Philadelphia, where he grew up, to recover some information about his mysteriously estranged father. Along the way, he encounters the animated and interesting Petrushka, who accompanies him in his odyssey.
This curious drama features some interesting performances in which the two women’s roles are quite forthright and outwardly expressed, while the men’s roles are rather subdued.
As Esther, Spencer’s mother, Kalala Kiwanuka-Woernle offers a spirited and lively performance, full of an energetic directness that comes across as sometimes forthright and as sometimes domineering. In probing this somewhat complex combination, Kiwanuka-Woernle offers an interesting and captivating interpretation. As Petrushka, Lorraine Victoria Kanyike is lively, animated and gives a enthusiastically broad and engrossing portrayal.

Lorraine Victoria Kanyike as Petrushka
Dom Carter as Spencer
Kalala Kiwanuka-Woernle as Esther
in “Moon Man Walk”
Photo: Benjamin Rose Photography
Courtesy of Gloucester Stage Company
As Spencer, the noted Boston actor Dom Carter, who did a great job last year as Martin Luther King in The Front Porch Arts Collective’s stirring production of The Mountaintop, here offers a quietly appealing performance. The mysterious astronaut, whose actual identity is revealed in the spoilers section below, has a subdued and restrained quality that is brought forth competently by Dereks Thomas.
There are some oddities and limitations in this script. When we see the scene in which Spencer’s father and mother are having an argument (see spoilers section), one finds it difficult to quite grasp the father’s arguments and the mother’s responses. Not much is revealed in the interaction, other than the conflict, which draws away from quite a bit of the underlying drama. And, why Petrushka becomes such a central figure for Spencer in the immediate wake of his mother’s death, how they become quite so engaged in a short time, and how intimately she acts towards him, are all quite mysterious. Instead of more time spent delineating some of the implicit qualities of this relationship, the script spends a bit too much time on side trails, even with a brief scene about flatulence which is completely gratuitous.
– BADMan (aka Charles Munitz)
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