{"id":23852,"date":"2016-08-12T14:00:54","date_gmt":"2016-08-12T21:00:54","guid":{"rendered":"http:\/\/bostonartsdiary.com\/wordpress\/?p=23852"},"modified":"2016-08-12T22:09:53","modified_gmt":"2016-08-13T05:09:53","slug":"anthropoid","status":"publish","type":"post","link":"https:\/\/bostonartsdiary.com\/wordpress\/2016\/08\/anthropoid\/","title":{"rendered":"Anthropoid"},"content":{"rendered":"<p><strong>Film (2016)<\/p>\n<p>Directed by Sean Ellis<br \/>\nScreenplay by Sean Ellis and Anthony Frewin<\/p>\n<p>With Jamie Dornan (Jan Kubis), Cillian Murphy (Josef Gabc\u00edk), Brian Caspe (Anton\u00edn), Karel Herm\u00e1nek Jr. (Ign\u00e1c),  Sean Mahon (Dr. Eduard), Jan H\u00e1jek (Bretislav Bauman), Marcin Dorocinski (Ladislav Vanek), Toby Jones (Uncle Hajsk\u00fd), Charlotte Le Bon (Marie Kov\u00e1rn\u00edkov\u00e1), Alena Mihulov\u00e1 (Mrs. Moravec), Bill Milner (At&#8217;a), Anna Geislerov\u00e1 (Lenka Fafkov\u00e1), Jir\u00ed Simek (Karel Curda)<\/strong><\/p>\n<figure id=\"attachment_23874\" aria-describedby=\"caption-attachment-23874\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2016\/08\/Anthropoid_2016_TwoGuys_25.jpg\" alt=\"Jamie Dornan as Jan Kubi\u0161, Cillian Murphy as Josef Gab\u010d\u00edk in 'Anthropoid',A Bleecker Street release\" width=\"450\" height=\"220\" class=\"size-full wp-image-23874\" srcset=\"https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2016\/08\/Anthropoid_2016_TwoGuys_25.jpg 450w, https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2016\/08\/Anthropoid_2016_TwoGuys_25-300x147.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption id=\"caption-attachment-23874\" class=\"wp-caption-text\">Jamie Dornan as Jan Kubi\u0161<br \/>Cillian Murphy as Josef Gab\u010d\u00edk<br \/>in &#8220;Anthropoid&#8221;<br \/>A Bleecker Street release<\/figcaption><\/figure>\n<div class=\"PostSummary\">Based in fact, a dramatization of the plan, in the early 1940s, by Czech freedom fighters to assassinate Reinhard Heydrich, a high ranking Nazi dubbed The Butcher of Prague.<\/div>\n<p><\/p>\n<p>Nine men parachuted in from abroad as part of a home-brewed commando team with the mission to assassinate the hated Reinhard Heydrich, called Butcher of Prague for his brutal devastation of the Czech population.  Early on in the career of the Nazi surge towards power, before the actual declaration of war with Britain and France, the Nazis devastated the lands near them, including Czechoslovakia.  The attempt to resist was met with overpowering annihilation by the Nazis, and this example of an attempt by Czech rebels to assassinate Heydrich later on remains a significant emblem of heroic resistance in the midst of that tyranny.<\/p>\n<p>That plot to assassinate Heydrich was actually, historically, given the name Operation Anthropoid. This film about that plot and its aftermath is at once an interesting marker of a significant event in Eastern European history, a suspenseful thriller and a vivid war movie.  It also incorporates a couple of love stories.  It is a blend of all sorts of things, with some success in the attempt, and when not so successful, somewhat more melodramatic than it might be.<\/p>\n<p>The film falls into two main sections.  The first half involves the suspenseful buildup, which is largely about espionage, planning, subterfuge and coordination of the assassination plan.  The second half is pure battling and it goes on for a long time.  When, after the exhausting tension of the first part and one thinks the film has wound down, there is another very long episode and lots of blood and guts to get through.<\/p>\n<figure id=\"attachment_23875\" aria-describedby=\"caption-attachment-23875\" style=\"width: 225px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2016\/08\/Anthropoid_2016_Jozef_Gab\u010d\u00edk_26.jpg\" alt=\"Josef Gab\u010d\u00edk\" width=\"225\" height=\"300\" class=\"size-full wp-image-23875\" \/><figcaption id=\"caption-attachment-23875\" class=\"wp-caption-text\">Josef Gab\u010d\u00edk<\/figcaption><\/figure>\n<p>For much of it, the performances are pretty gripping.   Cillian Murphy (Josef Gabc\u00edk), as one of the two major profiled paratroopers, comes across as an appropriately sullen, moody and charismatic variant on the Benedict Cumberbatch theme.  He manages, with his captivatingly dour and intense gaze, to create steam in whatever corner he lands.<\/p>\n<p>Toby Jones, as the significantly bespectacled Uncle Hajsk\u00fd, has shown up recently in <em>The Man Who Knew Infinity<\/em> (2015), and is well-placed to corner the market in that species of myopic but authoritative characters that Donald Pleasance managed to capture so well in the wonderful can-we-ever-get-out-of-here war epic <em>The Great Escape<\/em> (1963).  There are a few thematic echoes of that great film in moments of this one as well.<\/p>\n<p>Charlotte LeBon (Marie Kov\u00e1rn\u00edkov\u00e1) who did such a great job in a starring role in <em>The Hundred Foot Journey<\/em> (2014), provides here an innocent allure and sweetly honest romance to the gnarled and difficult goings-on.<\/p>\n<p>As the young violin playing boy At&#8217;a, Bill Milner is poised and honorably tense.<\/p>\n<p>This film is certainly suspenseful. Though many of the performances are quite good, the acting and direction are not consistently convincing .  Though the fighting in the latter half is generally well choreographed, it feels like too much too late in the film.  As a testament to an important chapter in European history, the film is notable.<\/p>\n<p>&#8211; BADMan<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Film (2016)<br \/>\nDirected by Sean Ellis<br \/>\nScreenplay by Sean Ellis and<br \/>\nAnthony Frewin<\/strong><br \/>\nBased in fact, a dramatization of the plan, in the early 1940s, by Czech freedom fighters to assassinate Reinhard Heydrich, a high ranking Nazi dubbed The Butcher of Prague.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4,1],"tags":[],"class_list":{"0":"post-23852","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-movies","7":"category-uncategorized","8":"entry","9":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/23852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/comments?post=23852"}],"version-history":[{"count":20,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/23852\/revisions"}],"predecessor-version":[{"id":23891,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/23852\/revisions\/23891"}],"wp:attachment":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/media?parent=23852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/categories?post=23852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/tags?post=23852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}