{"id":20023,"date":"2015-02-13T14:00:45","date_gmt":"2015-02-13T21:00:45","guid":{"rendered":"http:\/\/bostonartsdiary.com\/wordpress\/?p=20023"},"modified":"2015-03-08T15:31:50","modified_gmt":"2015-03-08T22:31:50","slug":"leviathan","status":"publish","type":"post","link":"https:\/\/bostonartsdiary.com\/wordpress\/2015\/02\/leviathan\/","title":{"rendered":"Leviathan"},"content":{"rendered":"<p><strong>Film (2014)<\/p>\n<p>Directed by Andrey Zvyagintsev<br \/>\nScreenplay by Oleg Negin and Andrey Zvyagintsev\t<\/p>\n<p><a href=\"http:\/\/www.landmarktheatres.com\/boston\/kendall-square-cinema\">Kendall Square Cinema<\/a>, Cambridge, MA<\/p>\n<p>With Elena Lyadova (Lilya), Aleksey Serebryakov (Kolya), Sergey Pokhodaev (Roma), Vladimir Vdovichenkov (Dmitriy Seleznyov), Roman Madyanov (Vadim Shelevyat)<\/strong><\/p>\n<figure id=\"attachment_20025\" aria-describedby=\"caption-attachment-20025\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Kolya__18.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Kolya__18.jpg\" alt=\"Aleksey Serebryakov as Kolya in 'Leviathan'\" width=\"450\" height=\"299\" class=\"size-full wp-image-20025\" srcset=\"https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Kolya__18.jpg 450w, https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Kolya__18-300x199.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-20025\" class=\"wp-caption-text\">Aleksey Serebryakov as Kolya<br \/>in &#8220;Leviathan&#8221;<br \/>Photo by Anna Matveeva, Courtesy of Sony Pictures Classics<\/figcaption><\/figure>\n<div class=\"PostSummary\">A slow-moving but compelling story about a Russian family pushed literally and figuratively to the edge.<\/div>\n<p><\/p>\n<p>Kolya (Aleksey Serebryakov), his wife Lilya (Elena Lyadova), and his son by a former marriage, Roma (Sergey Pokhodaev), live on a piece of property that the local corrupt mayor, Vadim Shelevyat (Roman Madyanov) has designs on.  Kolya is in rough shape to begin with, and clearly his relationship with Lilya has seen better days.  A sleek lawyer friend, Dmitriy (Vladimir Vdovichenkov) appears from Moscow which seems to be a support to Kolya until it isn&#8217;t.  Betrayals of one sort or another lurk behind every corner.  When the final, ridiculous, ecclesiastical culmination appears, one can only laugh between the tears.<\/p>\n<p>There is a lot of vodka drinking in this film, a <em>lot<\/em>.  If it&#8217;s any indication of what some Russians actually do, it&#8217;s a real eye opener.  Guzzling one large glass after another, it&#8217;s amazing these characters manage to stay erect at all.<\/p>\n<div class=\"PostHighlight\"><em>Leviathan <\/em>won the Golden Globe for Best Foreign Language Film and was nominated for the Academy Award in that category.<\/div>\n<p><\/p>\n<p>This is a film with no heroes.  The major characters are victims and the minor ones are perpetrators of trouble.<\/p>\n<p>The tone and pace of the narrative are biblical, and, in fact, a large whale skeleton appears significantly on the beach near where Kolya and Lilya live.<\/p>\n<p>Aleksey Serebryakov, a well known Russian actor, gives a thoroughly convincing performance as Kolya, a pitiful but lovable laggard.  <\/p>\n<figure id=\"attachment_20026\" aria-describedby=\"caption-attachment-20026\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Lilya_12.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Lilya_12.jpg\" alt=\"Elena Lyadova as  Lilya in 'Leviathan'\" width=\"450\" height=\"299\" class=\"size-full wp-image-20026\" srcset=\"https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Lilya_12.jpg 450w, https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2015\/02\/Leviathan_Lilya_12-300x199.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-20026\" class=\"wp-caption-text\">Elena Lyadova as  Lilya in &#8220;Leviathan&#8221;<br \/>Photo by Anna Matveeva, Courtesy of Sony Pictures Classics<\/figcaption><\/figure>\n<p>Elena Lyadova, as Lilya, has a rustic sensuality that continually seduces the camera, despite the insistently grey tone of the setting.<\/p>\n<p>Sergey Pokhodaev as Kolya&#8217;s son, Roma, adds a compelling, but heartbreaking, touch of moral fiber where it barely exists, searching through the mountains of pointlessness for a stick of hope.<\/p>\n<p>The outcome of the tragic unfolding is vividly ironic, its architectural emblem sitting bluntly and foolishly at the edge of the sea, Kolya&#8217;s and Lilya&#8217;s humble shack supplanted by something more traditionally institutional, as terrifying as it is ridiculous.<\/p>\n<p>&#8211; BADMan<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Film (2014)<br \/>\nDirected by Andrey Zvyagintsev<br \/>\n<a href=\"http:\/\/www.landmarktheatres.com\/boston\/kendall-square-cinema\">Kendall Square Cinema<\/a><br \/>\nCambridge, MA<\/strong><br \/>\nA slow-moving but compelling story about a Russian family pushed literally and figuratively to the edge.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-20023","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-movies","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/20023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/comments?post=20023"}],"version-history":[{"count":11,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/20023\/revisions"}],"predecessor-version":[{"id":20244,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/20023\/revisions\/20244"}],"wp:attachment":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/media?parent=20023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/categories?post=20023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/tags?post=20023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}