{"id":17777,"date":"2014-04-18T14:00:19","date_gmt":"2014-04-18T21:00:19","guid":{"rendered":"http:\/\/bostonartsdiary.com\/wordpress\/?p=17777"},"modified":"2014-04-20T14:30:12","modified_gmt":"2014-04-20T21:30:12","slug":"the-railway-man","status":"publish","type":"post","link":"https:\/\/bostonartsdiary.com\/wordpress\/2014\/04\/the-railway-man\/","title":{"rendered":"The Railway Man"},"content":{"rendered":"<p><strong>Film (2013)<\/p>\n<p>Directed by Jonathan Teplitzky<br \/>\nScreenplay by Frank Cottrell Boyce and Andy Paterson<br \/>\nBased on a book by Eric Lomax<\/p>\n<p>Music by David Hirschfelder<br \/>\nCinematography by Garry Phillips<br \/>\nFilm Editing by Martin Connor<\/p>\n<p>With Jeremy Irvine (Young Eric), Colin Firth (Eric), Stellan Skarsg\u00e5rd (Finlay), Nicole Kidman (Patti), Tanroh Ishida (Young Nagase), Hiroyuki Sanada (Nagase)<br \/>\n<\/strong><\/p>\n<figure id=\"attachment_17784\" aria-describedby=\"caption-attachment-17784\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Firth_Kidman_18.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Firth_Kidman_18.jpg\" alt=\"Colin Firth as Eric, Nicole Kidman as Patti in 'The Railway Man'\" width=\"450\" height=\"300\" class=\"size-full wp-image-17784\" srcset=\"https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Firth_Kidman_18.jpg 450w, https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Firth_Kidman_18-300x200.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-17784\" class=\"wp-caption-text\">Colin Firth as Eric<br \/>Nicole Kidman as Patti<br \/>in &#8220;The Railway Man&#8221;<br \/>\u00a92014 The Weinstein Company. All rights reserved.<\/figcaption><\/figure>\n<div class=\"PostSummary\">A moving, well-crafted film about a British soldier, confined in a Japanese prison camp during World War II, who decades later returns to the site of his internment.<\/div>\n<p><\/p>\n<p>Based on a a true story, this layered tale of flashbacks of Eric (Colin Firth), effectively shows his confrontation with a deeply traumatic past.   Approached from a subtle perspective, we arrive at the tale midstream, as Eric meets Patti (Nicole Kidman) in  the early 1960s.  As their tale evolves, so does the deeper, darker one of Eric&#8217;s World War II experiences.  When push comes to shove and with encouragement close to home, he travels to confront his past and his demons, with profound and remarkable results.<\/p>\n<figure id=\"attachment_17785\" aria-describedby=\"caption-attachment-17785\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Irvine_11.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Irvine_11.jpg\" alt=\"Jeremy Irvine as the young Eric in 'The Railway Man'\" width=\"450\" height=\"300\" class=\"size-full wp-image-17785\" srcset=\"https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Irvine_11.jpg 450w, https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_Irvine_11-300x200.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-17785\" class=\"wp-caption-text\">Jeremy Irvine as the young Eric<br \/>in &#8220;The Railway Man&#8221;<br \/>\u00a92014 The Weinstein Company. All rights reserved.<\/figcaption><\/figure>\n<p>I found this a deeply moving film.  Though it is a shocking and difficult story, there is so much humanity evoked in its narrative that the horrors are outweighed by its import.  The interleaving of the love story between Eric and Patti along with the uncovering of the traumas of Eric&#8217;s internment and his confrontation with them makes a compelling historic and psychological tapestry.<\/p>\n<p>The film is beautifully acted and directed. <\/p>\n<p>Colin Firth does a superb job in the central role, carrying unbearable weight with a gracious balance, revealing just enough strain in his decorum to make us realize that things are not right with the world.<\/p>\n<p>Jeremy Irvine conveys the nobility and decency of the young Eric, painting a modestly heroic portrait with understated but compelling gestures.<\/p>\n<p>Nicole Kidman as Patti is subtly appealing and vividly present in her characterization, believably supportive as she is challenged by the unfolding realities and horrors of Eric&#8217;s past.<\/p>\n<figure id=\"attachment_17787\" aria-describedby=\"caption-attachment-17787\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_HiroyukiSanada_20.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_HiroyukiSanada_20.jpg\" alt=\"Hiroyuki Sanada as Nagase in 'The Railway Man'\" width=\"450\" height=\"300\" class=\"size-full wp-image-17787\" srcset=\"https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_HiroyukiSanada_20.jpg 450w, https:\/\/bostonartsdiary.com\/wordpress\/wp-content\/uploads\/2014\/04\/TheRailwayMan_HiroyukiSanada_20-300x200.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-17787\" class=\"wp-caption-text\">Hiroyuki Sanada as Nagase<br \/>in &#8220;The Railway Man&#8221;<br \/>\u00a92014 The Weinstein Company. All rights reserved.<\/figcaption><\/figure>\n<p>As the young Nagase,  Tanroh Ishida has a fearsome authenticity.  As the older Nagase, Hiroyuki Sanada delivers a difficult yet compelling portrait of a man with a long memory and a difficult weight to bear.<\/p>\n<p>The stunner at the end of the film with its striking denouement is rivetingly compelling in its documented reassurances.<\/p>\n<p>There are all kinds of ways this film could have gone wrong and it is testament to the director that its violence is not overplayed and its resolutions are not  overly sentimentalized.   Though the dramatized encounter between Eric and Nagase near the end is a slightly less persuasive part of the film, it is indeed the most dramatically vulnerable and in the overall context makes considerable sense.<\/p>\n<p>Anyone interested in recovery from trauma, and the general issues of dialogues and peacemaking, should run out and see this film.  It is sensitively done, instructive and deeply inspirational.<\/p>\n<p>&#8211; BADMan<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Film (2014)<br \/>\nDirected by Jonathan Teplitzky<br \/>\nScreenplay by<br \/>\nFrank Cottrell Boyce<br \/>\nand Andy Paterson<br \/>\nBased on a book by Eric Lomax<br \/>\nWith Jeremy Irvine, Colin Firth,<br \/>\nStellan Skarsg\u00e5rd, Nicole Kidman,<br \/>\nTanroh Ishida, Hiroyuki Sanada<\/strong><br \/>\nA moving, well-crafted film about a British soldier, confined in a Japanese prison camp during World War II, who decades later returns to the site of his internment.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-17777","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-movies","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/17777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/comments?post=17777"}],"version-history":[{"count":20,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/17777\/revisions"}],"predecessor-version":[{"id":17801,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/17777\/revisions\/17801"}],"wp:attachment":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/media?parent=17777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/categories?post=17777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/tags?post=17777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}