{"id":14761,"date":"2013-05-05T16:00:29","date_gmt":"2013-05-05T23:00:29","guid":{"rendered":"http:\/\/bostonartsdiary.com\/wordpress\/?p=14761"},"modified":"2013-07-31T12:11:48","modified_gmt":"2013-07-31T19:11:48","slug":"seascapes","status":"publish","type":"post","link":"https:\/\/bostonartsdiary.com\/wordpress\/2013\/05\/seascapes\/","title":{"rendered":"Seascapes"},"content":{"rendered":"

Paintings
\nby Jane Sherrill<\/a><\/p>\n

Somerville Open Studios
\nVernon Street Studios
\nSomerville, MA<\/p>\n

May 4-5, 2013<\/strong><\/p>\n

\"Jane<\/a>
Jane Sherrill
“Toward Ballston Beach” (2012)
Acrylic on birch panels
3′ X 6′
\u00a9 Jane Sherrill 11\/2012
Courtesy of the artist<\/figcaption><\/figure>\n
Wonderfully dynamic and energetic representations of the ocean in all its temperaments, with crashing waves, roiling tempests, turbulent skies – and sometimes more placid states – in vivid forms and colors.<\/div>\n

<\/p>\n

\"Jane<\/a>
Jane Sherrill, “Diary Page” (2005)
Courtesy of the artist<\/figcaption><\/figure>\n

Jane Sherrill has worked in miscellaneous idioms over the years, always with a vivid sense of color and energy. Though sometimes exhibiting objective inspirations, Sherrill’s earlier work is dominantly abstract, frequently realizing strikingly playful and vivid rhythms of tone and shape. Whether inspired by flags, waves, or just by color and form themselves, Sherrill’s expressionist force is readily apparent. Inventive exuberance radiates from these pieces, each of which seems like a fabulous jazz solo. They really cook.<\/p>\n

\"Jane<\/a>
Jane Sherrill, “Pose” (2005)
Courtesy of the artist<\/figcaption><\/figure>\n

More recently, she has focused on more representational themes and has produced a series of works inspired by the sea. They have a naturalistic base, but convey equal doses of energy as the earlier, more abstract, endeavors. That energy transfer from abstraction to naturalism also performs an interesting alteration, allowing the potency to remain the same as the locus of energy moves towards ocean, beach and sky. This change of focus suggests an interesting alteration in stance, yielding not only an evocative urge towards energy through invention, but an additional dimension of reverence for the way in which energy can be drawn from the world itself.<\/p>\n

\"Jane<\/a>
Jane Sherrill
“Between Storms, Long Island” (2013)
\u00a9 Jane Sherrill 4\/2013
Acrylic on birch panels
36″ X 36″
Courtesy of the artist<\/figcaption><\/figure>\n

Here is a brief reflection on one of these recent works, entitled Between Storms, Long Island<\/em> that was included in the Somerville Open Studios showing:<\/p>\n

A precise seascape. Carefully shaped rills of sand touched by seaweed stand before the peaks of short dunes rimmed by scrub brush. A hint of light, pinkish, arises on the right, above which a vivid blue opening emerges. In the center, like a wild flamenco dancer in white, an explosive tower of cloud connects sky and earth in a vertical band. Like an erupting volcano, it feeds the lava flows of the textured sky which flowers into twists and ripples at the top. As the eye settles back down, the sea, reaching, in green, from the left provides a calm entr\u00e9e to the sandy beach. White, blue, green and brown are woven into one another as land and sky shapes dance together, the central urge of their embrace reaching upwards from within.<\/em><\/p>\n

– BADMan<\/p>\n","protected":false},"excerpt":{"rendered":"

Paintings
\nby Jane Sherrill<\/a>
\nSomerville Open Studios
\nVernon Street Studios
\nSomerville, MA
\nMay 4-5, 2013<\/strong>
\nWonderfully dynamic and energetic representations of the ocean in all its temperaments, with crashing waves, roiling tempests, turbulent skies – and sometimes more placid states – in vivid forms and colors.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-14761","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-museums","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/14761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/comments?post=14761"}],"version-history":[{"count":31,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/14761\/revisions"}],"predecessor-version":[{"id":14988,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/posts\/14761\/revisions\/14988"}],"wp:attachment":[{"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/media?parent=14761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/categories?post=14761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bostonartsdiary.com\/wordpress\/wp-json\/wp\/v2\/tags?post=14761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}